的报价、引用和其他引用由女性作家WWO集合。
| 源文本(“源文本”的定义) | 手势(“互文性手势”的定义) | 引用的工作(“引用工作”的定义) | |||
|---|---|---|---|---|---|
| 文本 | 主题和体裁(“主题”)的定义 | 文本的手势 | 动作类型(术语页面“”) | 文本 | 主题和体裁(“主题”)的定义 |
| 布鲁克,弗朗西斯(摩尔)。艾米丽·蒙塔古的历史。1769年。 | 小说 | “有时候,在人员和事情,一种无形的魅力,一个自然的恩典,我们无法定义,因此我们不得不叫我脊髓改变什么。在我看来,这是一个主要建立在令人惊讶的效果。我们感动了,一个人随心所欲超过她似乎一开始有权利去做;我们惬意的很,她应该知道如何克服这些缺陷,我们的眼睛告诉我们,但我们的心不再相信:“是这个原因,女性,不是英俊,经常美惠三女神或agreablenesses;美丽的人很少。一个美丽的人通常我们所期待的相反;由度那么和蔼可亲,她似乎我们,我们很高兴地后,她意外发现我们以相反的方式;但disagreable惬意的印象是老了,一个新的:”这还很少,美女激发强烈的情感,这是几乎总是留给那些有关系,也就是说,agreablenesses,我们不希望,我们没有理由期望。华丽的习惯很少恩典,牧羊女经常的礼服。我们钦佩保罗的织物维罗纳人的威严; but we are touched with the simplicity of Raphael, and the exactness of Corregio. Paul Veronese promises much, and pays all he promises; Raphael and Corregio promise little, and pay much, which pleases us more. These graces, these agreablenesses, are found oftener in the mind than in the countenance: the charms of a beautiful countenance are seldom hidden, they appear at first view; but the mind does not shew itself except by degrees, when it pleases, and as much as it pleases; it can conceal itself in order to appear, and give that species of surprize to which those graces, of which I speak, owe their existence. This grace, this agreableness, is less in the countenance than in the manner; the manner changes every instant, and can therefore every moment give us the pleasure of surprize: in one word, a woman can be handsome but in one way, but she may be agreable in a hundred thousand.” | 报价 | de Secondat Charles-Louis,孟德斯鸠男爵de La刺绣等。论味道。1757年。 | |